John Hammond - Country Blues (1964)

John Hammond - Country Blues (1964)
EAC Rip | FLAC (Image) + CUE + LOG | Covers | 227 MB
Genre: Blues/Folk/Blues-Rock | Label: Vanguard | Catalog Number: 79198-2
RAR 5% Rec. | Rapidshare + FilePost | Release Date: 1964

Although Hammond had already recorded electric material, he went back to a solo acoustic format for his fourth album, accompanying himself on guitar and harmonica on faithful interpretations of standards by Robert Johnson, Blind Willie McTell, John Lee Hooker, Sleepy John Estes, Jimmy Reed, Willie Dixon, and Bo Diddley. If it sounds a bit unimaginative and routine today, one has to remember that the general listening audience was much less aware of these artists and songs in the mid-'60s. Hammond did a commendable job of rendering them here, with fine guitar work and vocals that were a considerable improvement over his earliest efforts.--by Richie Unterberger



Tracklist


1. Traveling Riverside Blues 3:23
2. Hitchhiking Woman 4:44
3. Statesborough Blues 3:42
4. Milk Cow's Calf Blues 2:46
5. Crawling Kingsnake 2:42
6. Bull Frog Blues 2:29
7. Drop Down Mama 2:46
8. Little Rain Falling 3:53
9. Seventh Son 2:32
10. Who Do You Love 2:34
11. 32-20 Blues 3:07
12. Goin' Down Slow 4:05


Personnel:
John Hammond accompanying himself on Guitar and Harmonica





BIO: With a career that spans over three decades, John Hammond is one of handful of white blues musicians who was on the scene at the beginning of the first blues renaissance of the mid-'60s. That revival, brought on by renewed interest in folk music around the U.S., brought about career boosts for many of the great classic blues players, including Mississippi John Hurt, Rev. Gary Davis, and Skip James. Some critics have described Hammond as a white Robert Johnson, and Hammond does justice to classic blues by combining powerful guitar and harmonica playing with expressive vocals and a dignified stage presence. Within the first decade of his career as a performer, Hammond began crafting a niche for himself that is completely his own: the solo guitar man, harmonica slung in a rack around his neck, reinterpreting classic blues songs from the 1930s, '40s, and '50s. Yet, as several of his mid-'90s recordings for the Pointblank label demonstrate, he's also a capable bandleader who plays wonderful electric guitar. This guitar-playing and ensemble work can be heard on Found True Love and Got Love If You Want It, both for the Pointblank/Virgin label.
Born November 13, 1942, in New York City, the son of the famous Columbia Records talent scout John Hammond, Sr., what most people don't know is that Hammond didn't grow up with his father. His parents split when he was young, and he would see his father several times a year. He first began playing guitar while attending a private high school, and he was particularly fascinated with slide guitar technique. He saw his idol, Jimmy Reed, perform at New York's Apollo Theater, and he's never been the same since.
After attending Antioch College in Ohio on a scholarship for a year, he left to pursue a career as a blues musician. By 1962, with the folk revival starting to heat up, Hammond had attracted a following in the coffeehouse circuit, performing in the tradition of the classic country blues singers he loved so much. By the time he was just 20 years old, he had been interviewed for the New York Times before one of his East Coast festival performances, and he was a certified national act.
When Hammond was living in the Village in 1966, a young Jimi Hendrix came through town, looking for work. Hammond offered to put a band together for the guitarist, and got the group work at the Cafe Au Go Go. By that point, the coffeehouses were falling out of favor, and instead the bars and electric guitars were coming in with folk-rock. Hendrix was approached there by Chas Chandler, who took him to England to record. Hammond recalls telling the young Hendrix to take Chandler up on his offer. "The next time I saw him, about a year later, he was a big star in Europe," Hammond recalled in a 1990 interview. In the late '60s and early '70s, Hammond continued his work with electric blues ensembles, recording with people like Band guitarist Robbie Robertson (and other members of the Band when they were still known as Levon Helm & the Hawks), Duane Allman, Dr. John, harmonica wiz Charlie Musselwhite, Michael Bloomfield, and David Bromberg.
As with Dr. John and other blues musicians who've recorded more than two dozen albums, there are many great recordings that provide a good introduction to the man's body of work. His self-titled debut for the Vanguard label has now been reissued on compact disc by the company's new owners, The Welk Music Group, and other good recordings to check out (on vinyl and/or compact disc) include I Can Tell (recorded with Bill Wyman from the Rolling Stones), Southern Fried (1968), Source Point (1970, Columbia), and his most recent string of early- and mid-'90s albums for Pointblank/Virgin Records, Got Love If You Want It, Trouble No More (both produced by J.J. Cale), and Found True Love.

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